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Although the motivation isn't specified but implied in this film, Death wishes to experience the life he normally takes away--he wants to see what it's like to be human. He chooses Parrish to be his guide because Parrish is a hugely successful media mogul who has conviction, strong "moral fiber" and insight on life.

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Engaging, poetic, touching bio-pic about Cuban poet Reinaldo Arenas. Sean Penn has one incredible scene early on, who had us convinced he was Cuban. We didn't at all recognise him. Johnny Depp plays two small parts, but two very memorable ones.

Andrea di Stefano is great as a central antagonist of Reinaldo, as is the now-Hollywood-famous Olivier Martinez who plays a touching, platonic friend to Reinaldo. Beautifully photographed and directed in an admirable manner that draws attention to style every now and then in a poetic way very fitting for a bio-pic about a poet, and at other times just utilises style to tells the story very well, and seem not to be fussing about style at all.

There are scenes here where the sound effects track stops and this gorgeous cello music by Carter Burwell composer of Being John Malkovich, Meet Joe Black, Man who Wasn't There, with another beautiful score plays while we watch Bardem sitting in a club while people dance around him, and the music tells us he is far away.

It is a wonderful scene, akin to Kurosawa's use of music in the brilliant burning of the first castle scene in Ran.

The way the camera tells this story was so marvellous and slick though using rough camera work to tell moments of uneasiness, importantly this is not over-used as it was in the recent Eternal Sunshine of the Spotless Mind that i knew the filmmaker had been influenced by American filmmaking, but throughout i had no idea the guy actually WAS American!

The TV program misleadingly told us it was a Cuban movie which it is not - it is an American production with Spanish, Cuban and American actors I'm even more shocked considering this is the guy who made Basquiat, which i always thought was more a tele-movie, and more about art than about movie-style.

Julian Schnabel, i now learn, was a neo-expressionist painter in the 80's! Basquiat, about an artist, perhaps was a movie where he was making the transition between art-language and movie-language.

Before Night Falls uses traditional storytelling, to be sure, but it has such a spellbinding cinematic quality i felt sure its director was one with cinema on the brain. Perhaps Schnabel has caught the bug after all. Most of the objections to this film have to do with the faithfulness with which Schnabel treats the memoir of Arenas also titled 'Before Night Falls'which, despite its beauty, is undoubtedly biased in its presentation of history.

Furthermore, Schnabel seems to downplay Arenas' contempt for Fidel Castro and the post-revolutionary totalitarianism of his regime, under which countless poets, writers, artists, and practitioners of alternative lifestyles deemed 'counter-revolutionary' by the regime were jailed, tortured, murdered, and, in some cases, expelled from Cuba.

Schnabel presents Arenas as far more of a victim than an active voice of dissent, which is, in a certain sense, unfaithful to his legacy.

Both actor and director have publicly avowed that the film means to critique totalitarianism in general more so than Castro or Communist Cuba in particular, which seems like a bit of a cop-out. Nevertheless, art, despite its inherently political nature, should strive to be a-political, and this film does so effectively with its blending of gorgeous image and fine, subtle performance, particularly by Bardem as Arenas.

Bardem has the face of a classical statue, and his deep set eyes, broken, Roman nose, and expressive mouth are mesmerizing.

With the right role, he could and should be a major star in the US, as he has been for some time in his native Spain.

Meet joe black watch online free with subtitles

Every move he makes is compelling to watch, and he creates a sympathy for Arenas few other actors could manage. His narration of Arenas' poetry and prose is patient and soulful, adding much to the already gorgeous shots of rural and urban settings the film employs archival footage from Cuba, but was filmed in Merida and Veracruz, Mexico, in the Yucatan, the region of Mexico closest to Cuba.

Because the film is based on a memoir, it proceeds episodically, following the young Arenas from his boyhood to his early accomplishments as a poet and novelist through his imprisonment and later his escape to the United States during Castro's 'purge' of undesirables in the same means by which Tony Montana escapes Cuba in 'Scarface'when criminals and homosexuals were invited to voluntarily expatriate to Miami so that the demand for basic resources in Cuba under the US-led embargo could be relieved somewhat.

The film spends considerable time reflecting on Arenas' sexual initiation and his gay lifestyle, which is slightly problematic in that it suggests that Arenas was persecuted solely for being homosexual, which is at best a half-truth.

Though Arenas himself was probably persecuted less for his lifestyle than for his public criticism of the regime, it is probably not inaccurate in its portrayal of the turn against art, life, and experimentation taken by Castro's brutal totalitarian ethos.

He died inafter which his memoir and several letters condemning Castro and the failure of the US to rescue the Cuban people from his tyranny were published, to wide acclaim.

The film should not be overly criticized for its historical errors and omissions, because it is primarily a showcase for Schnabel's artistry as a director and Bardem's astonishingly charismatic performance as Arenas.

The film is also graced by fine performances by Martinez as Lazaro, who rebuffs Arenas' sexual advances but later becomes his dearest and most trusted friend; Johnny Depp in dual roles as a jail house transvestite who helps Arenas smuggle his manuscripts out to the world and as a sadistic prison guard; Sean Penn as a farmer who encounters the young Arenas on the road to Havana; and Michael Wincott as Herbet Z.

Ochoa, a poet and essayist forced to publicly renounce his art by a Communist tribunal. And quite a story it is. The true story of writer Reinaldo Arenas Javier Bardemwho was born in Cuba init touches on his childhood, but concentrates on the '60s and '70s, during which time Arenas was considered a counter-revolutionary by the Cuban government because of his writing, as well as his homosexuality.

Schnabel pulls no punches as he presents an incisive picture of the suffering inflicted upon Arenas and others through the wanton mistreatment and discrimination of Castro's regime.Watch movie Big Fish () english subbed HD.

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