People who suffer the basic needs of food, shelter and clothes are on the streets in almost every country.
Jamal is an uneducated orphan — truly an underdog on the show. The film was popular in the United States, winning eight out of the ten Oscars it was nominated for, including Best Picture and Best Director.
Relatively few people in the United States have traveled to India; as such, most people do not have any identification or connection with the country except via popular media movies, news, etc. While the film draws attention to a level of poverty that the intended audience rarely if ever comes in contact with, Danny Boyle constructs the film in a typically Western way.
Although Slumdog was filmed in actual slums outside of Mumbai, it artfully manipulates to construct a desired vision of the slums. In the opening scene, the police chase Jamal, his brother Salim, and their friends through their slum after finding them illegally playing cricket on a landing strip.
The children easily navigate the maze-like alleys, while the police blunder through, other children throwing trash at them from the cramped roofs.
The scene is comical; the music, up-beat. The slum is riddled with vibrant colors — everyone is bustling about their morning business, carefully avoiding the children dashing through their legs.
The camera zooms out and the audience sees increasingly more rooftops — an impossible number of people must live there. We are appropriately awed by the unimaginable life taking place in these areas of destitution: Boyle makes the slums a spectacle. Even the cinematographic techniques employed by Boyle reflect the othering of the poor in the movie.
Slumdog Millionaire is a feel-good story in many senses. The unconditional love between Jamal and Latika that surmounts all obstacles and triumphs in the end tugs at our heartstrings. But most importantly, the audience is self-assured that by watching the movie, they have become more cultured.
As a society, we give ourselves a pat on the back for feeling so worldly. By creating a rags-to-riches story, Slumdog Millionaire tells its story in a Western narrative. Money is the way to happiness and a better life; everyone and every culture should have these same desires.
Moreover, the movie seemingly tells us that emerging from poverty is as easy as joining a game show. In the film, Westerners, and Americans in particular, are portrayed as morally superior.
When an American couple sees a policeman hitting Jamal, they immediately intervene. Jamal mumbles that if they wanted to see the true India, then they have.A columnist from Britain’s Times calls the movie “poverty porn” and writes: ” the film is vile.
Unlike other Boyle films such as Trainspotting or Shallow Grave, which also revel in a fantastical comic violence, Slumdog Millionaire is about children.
In her recent UK Times piece, Alice Miles calls Slumdog Millionaire "Poverty Porn" and yesterday guests on NPR's Talk of the Nation discussed whether these types of films exploit, distort or.
Implications of the Slumdog Millionaire's success Although the portrayal of the lives in urban slums is the complementary nature of the film, this fairy tale of an orphan from the slum ends up raising unprecedented global awareness on the issue of poverty far better than the documentary films or the articles that we read in the newspaper.
Explore the pros and cons of the debate Slumdog Millionaire Portrays Poverty and Affluence Well. And the real work of Slumdog Millionaire is simply to raise awareness of worldwide poverty, to make it palpable to a Western middle-class audience.
And to pull off this feat in the least preachy. Slumdog Millionaire tells the story of Jamal Malik, an orphan from the Mumbai slum who gets a chance to compete on India’s version of TV’s Who Wants to Be a Millionaire? (For those of you who are worried about a spoiler, don’t be.